nyc

A show you shouldn't miss: Woods + Real Estate at Market Hotel on 12.04

Woods (in the picture) and Real Estate have quite a few things in common: they both emerged from the Brooklyn DIY scene we often cover in our online and print pages, they share a mellow, clean, but lo-fi sound with psychedelic and folk influences, and they were both selected by Pitchfork Media as "Best New Music" in 2009 and got a similar review mark (8.3 and 8.5 respectively). On the more frivolous side of things; both bands seem to share a conflictual relationship with press (I wasn't able to find an interview with any members of Woods) or maybe I should just say with The Deli (both declined to be interviewed, which makes us feel very sorry and uncool.) But nonetheless, Newyorkers shouldn't miss the opportunity to see these two acts live at Market Hotel on December 4. It's definitely going to be a great party.

   

The Silent League is back! CD release on 01.16

The Silent League is releasing a new record, its third, in Feb 2010, ...But You've Always Been The Caretaker. Formed in 2004 in Brooklyn by Justin Russo (at the time, keyboardist for Mercury Rev during the classic Deserter's Songs / All is Dream era), The Silent League may sometimes appear like an on-again/off-again relationship between a collective of musicians interested only in periodically making records, playing shows, and disappearing again. Another good reason not to miss their CD release party at Gramercy Theater on January 16 with Elephant.

   

NYC artists on the rise: Arpline, live at Glasslands on 12.15

Arpline is a rather epic sounding new Brooklyn indie band with an interesting electronic sound that seems to be based mostly on a wild use of synchronized arpeggiators - hence the name, we guess. These guys played Brooklyn Bowl a few weeks ago and you'll have the chance to see them next at Glasslands on December 15.

   

Weekly Special #181b: Werewolves, live at Glasslands on 12.02

Werewolves have synthesized pop, psych, punk, and minimalist noise into a cohesive (yet seemingly chaotic) sound that has the capacity to both elevate and destroy the listener’s mind, often in the same song. The guitars slide between effervescent, chiming tones and fuzzed-out riffs, the baritone bass lines weave counter melodies that propel the songs forward or leave them on end, and the vocals hover over the instrumentation with equal parts croon and nightmarish wail. The band’s newest release, Dance Raincoat Glass (BNS Sessions/Plays With Dolls), revels in these disparate elements. - Read Bill Dvorak full feature on the band here.

   

Weekly Special #181a: Glad Hearts

The idea that our world is the result of musical vibrations and clang phenomena is an old one – fortunately, there are bands like Glad Hearts that, through their musical sense and  harmonious interplay, remind us of this philosophical intuition. While listening to this New Jersey based four piece it may easily happen that you find yourself in another world where bells are broken or - to quote the band's lyrics - “a needle melts wax”. Although at times melancholic and thought-provoking, Glad Hearts, as their name suggests, succeed in bringing forth the joy and naturalness inherent in music, shining with a uniquely diverse and dense sound derived from a huge instrumental assortment that brings the fantastic into the everyday. Their country-tinged indie folk rock album “The Oak and the Acorn” is a promising and multifaceted output – you’re in for a treat! - Read Susi Muhr interview with the band here.