Indie Rock

Buzz Alert: Sneaks crafts minimalist punk on debut "Gymnastics"

Sneaks, the one-woman project of Eva Moolchan, produces music that seems mezmirzingly simple, but is wildly potent. Gymnastics, the latest LP from the artist, is a bass-driven/drum machine-backed work that could probably be loosely filed under "avant-punk." But while the album feels like it encapsulates part of the DIY aesthetic, Moolchan's polished vocals--that alternate between conversational talk-singing and hushed whispers--add an eloquence to the tracks. While the instrumentation remains minimalist, her voice fills in the cracks, making you question why people even add guitars to things anyway. Listen to Sneaks streaming below.-Olivia Sisinni
 

   

Buzz Alert: We Can All Be Sorry delivers technical power pop on latest release

The only thing that I'm truly apologetic about is that I'm having a really difficult time jamming Boston-based We Can All Be Sorry neatly into the lines of any clear genre. The band's latest release, Weekend Sorry, is arguably their most acessible album, and one where they really seem to have gelled comfortably into (mostly) coherent grooves (think the power pop vibes of old-school Weezer), but throwing adjectives out there like punky, poppy, jazzy, or post-whatever really does the band a disservice. Sure, there are muscular melody lines and a powerful sense of song structure, but there's also something delightfully off-kilter about the band's sound. There's the almost-reckless display of atonal play, unexpected chord progressions, and clever use of dynamics that manages to be salient on the recording, but never overtly so. It's a delicate balance that screams classical training, but is so totally devoid of pretension or obvious eye-roll-inducing technique-flexing that would cloud the real meat of the songs. The result is a refreshing display of talent that never edges toward tipping its own hand. It's also 10 tracks of kick-ass tunes you'll find hard to not be humming the hooks of. Check out We Can All Be Sorry streaming below.-Olivia Sisinni

 

   

New Breaklite EP Available for Streaming & Download

Weekend Sessions, the new EP from Breaklite, rips and rattles, knocking off that residual weekend rust. With a snarly tear, it shifts the pendulum with a lingering, loose, biting garage-grip. Shake off this Tuesday, and let these catchy shredders snap you out of the doldrums!

   

Vibrissae does Siouxsie, show tomorrow

There's no better time of year to participate in a Siouxsie & the Banshees tribute album than now. Local electrogaze trio Vibrissae were fortunate enough to do so. Sao Paulo, Brazil based blog and label The Blog That Celebrates Itself released Desert Kisses: A Tribute to Siouxsie & the Banshees a little over a week ago and its celebration of one of the most influential post-punk bands in the game is ideal for the Halloween season. Vibrissae's featured cover of "Red Over White" aces the balance between their individual, celebrated sound and that which makes Siouxsie & the Banshees still worshipped to this day.

Vibrissae has a show coming up tomorrow supporting the first Portland appearance for Cincinatti art rockers Lung, along with the beautifully blended indie-electropop-punky alt blues of dynamic duo When We Met and the psych tinged post-punk of the New Not Normals at the High Water Mark.

Hopefull they'll play their version of "Red Over White" tomorrow but just in case, here it is:

   

Buzz Alert: Navy Gangs play Warsaw with HInds on 10.28

Having created an early buzz via their raucous live show, New York City’s Navy Gangs self-titled debut EP captures a similar raw appeal. Piercing extended vibrato guitar melody lines and sludgy bass-drums accompaniment create a feel comparable to Dinosaur Jr.’s (very) early days. While “Special Glands” (video streaming) may exhibit requisite “slacker rock” attitude, its central hook depicts a surprisingly direct vocal refrain. “Instant Play” bounces along in that J. Masic covering The Cure’s “Just Like Heaven” way where it straddles the line between serious and ironic. A guest female vocalist provides tandem vocals, smoothing out the rough edges. “Mondays” stomps with Americana inflected group chorus vocals while their instruments capture The Replacements ragged attitude. EP closer “That Party Sucked” alternates between Mascis-level burning guitar figures and softly sung verses, creating a heavy-light atmosphere enhancing the impact of both. The band play this Friday the 28th at Warsaw on a bill with Cold Fronts and Hinds. - Dave Cromwell

 

We added this song to The Deli's playlist of Best indie songs by emerging NYC artists - check it out!