Garage

Oil Bay's "Demo" is rightfully rough, plays C'mon Everybody 4.7

Demo is a cursory, two-track offering by Brooklyn-based five piece Oil Bay, one that despite its short nine-minute run time firmly establishes the band’s ear for enchanting garage and tactile synths. A-Side “STRANGERdemo” builds mystery with its noir-inspired melodies and instrumentation, rife with lurid allusions to late night tales and heavy-compress guitars, opening with equal measures of disorienting keys and screaming strings, this downtempo energy fading with the introduction of “SpacesuitDEMO” and its accompanying breakbeat pace. With no shortage of reverb and a flexibility to incorporate experimental electronic accents into their lofi sound Oil Bay is tailor-made for listeners looking for gritty, noisy Indie rock — listen below, and catch them at C’Mon Everybody on April 7th.

   

Garage

Time: 
20:30
Band name: 
Breaklite
FULL Artist Facebook address (http://...): 
https://www.facebook.com/breaklite666/
Venue name: 
The Gutter
Band email: 
   

Prepare for the weekend with High Waisted's "Boys Can't Dance" (Mercury Lounge show 2.22)

Did everyone have a good Saturday? Because High Waisted certainly did. Their recently dropped “Boys Can’t Dance,” the first single off the upcoming Sick of Saying Sorry is a triumphant ode to the weekend, a power ballad on jumping headfirst into the frenzy, inhibitions-be-damned — and it’s accompanying video further emphasizes this hedonism en force. Frontwoman and guitarist Jessica Louise Dye’s powerful vox, proclaims how cutting a rug and letting loose is the perfect panacea to “[being] stuck inside [your] own head,” atop visuals of a wild bachelorette party and body positive male stripping. Massive riffs and danceable melodies abound, indicative of the garage and surf-infused energy we can expect from their new record, out May 22nd. Until then, watch their new video below, and catch High Waisted at Mercury Lounge on February 22nd. —Connor Beckett McInerney, Photo by Michael Todaro

   

Sour Widows’ “Tommy” video hits the waves

Last week Oakland-based Sour Widows released one of their first singles, “Tommy” off their upcoming self-titled EP. The EP was recorded at Fantasy Studios just before they closed (and in part over at Decibelle Studios in SF). The song is dreamy and full of hooks and melodies we crave. The band is playing a few upcoming shows, including some SXSW spots. Be sure to check them out! -Lucille Faulkner

Upcoming shows 1.19 - San Francisco - Club Night, Patio 2.16 - San Francisco - KXSF Live Session 3.16-3.22 - Austin - SXSW 4.2 - San Francisco - Ratboys

   

S.C.A.B.’s “Beauty and Balance” finds a happy post-punk medium, plays Jones Beach Cafe 3.6

Brooklyn post-punk quartet S.C.A.B. firmly establish their laid-back jangle-friendly sound on debut Beauty & Balance. Interweaving, bright guitar arpeggios, rife with treble, create a harmonious backdrop for vocalist and songwriter Sean Camargo’s freeform vocal performance, one that modulates between aggressive sing speak (“Negroni Week”) and sliding slack-jawed melodies (“Beauty”). The synthesis of these two elements keeps the record fresh throughout its eight tracks, an engaging blend of lo-fi, instrumentally-driven pop and new-wave inspired vox. Give it a listen below, and catch the band at Jones Beach Cafe & Bar on March 6th, supporting Plight.