Brazilian music standout Paula Maya stays true to her roots in her new single “Corcovado- Ao Vivo.” Her dynamic vocals are accompanied perfectly by light percussion and jazzy, acoustic guitar. In the world of contemporary music, there’s so much pressure to be “modern” and assimilated to current trends, yet Maya proves that you can still be grounded in tradition while displaying originality and uniqueness. 

Given the quality and nearly flawless execution of the recording, it’s hard to believe that Paula Maya’s latest release is actually a live performance. This decision ultimately enhances the listening experience of “Corcovado.” The faintly audible sounds of chatter amongst the audience makes the listener feel like they are at some hip, Jazz cafe on the streets of São Paulo. Releasing this single as a live performance is admirable not only because of the impeccable vocal delivery and tone, but also because of the overall ambience that enables you to be transported into an alternate reality. 

One of the ways in which Maya straddles the line between contemporary and traditional is by singing half of the song in Portugese and the other half in English. It would be easy for her to be a purist and only sing in Portugese to satisfy cultural norms, but singing in English as well makes her music more accessible to a wider audience. Not to mention, she sings in both 

languages quite beautifully. 

Additionally, Paula Maya’s band deserves a huge round of applause for their utilization of dynamics, subtlety, and flat-out skill. The percussionist plays soft and smooth, without missing a beat. The bass and keyboard players know when to take a back seat to the vocals and when to showcase their talent. And the guitar playing is a perfect example of why Brazil is home to some of the most underrated guitarists in the world. The jazzy chords and mesmerizing guitar solo are reminiscent of Brazilian greats, such as Yamandu Costa and João Gilberto, the latter being the original songwriter of “Corcovado.” The musicianship surrounding Maya undoubtedly accentuates her talent even more so. 

Paula Maya’s spin on “Corcovado” embodies the classic saying, “if it ain’t broke, don’t fix it.” Clearly, traditional Brazilian music is an exceptional form of art as is. Maya and her band know that they don’t need to overly modernize the music that represents their culture, yet she uncannily conveys a sound that is fresh and worthy of being played on contemporary streaming outlets, even in the United States. Paula Maya knows exactly what type of artist she is and she absolutely owns it.

-- Quinn Donoghue

Well alright, alright, alright y’all. We’ve reached the end of our open submissions for artists looking to be considered for The Deli's Best of Austin Year End Poll for Emerging Artists. Many thanks and tacos to all those that submitted their work; we took a listen to it all.

After tallying our editors' ratings for the Open Submissions stage, it’s time to release the results. Please note that to avoid conflicts no local editor was allowed to vote for bands in their own scene.

Total submissions from Austin: 25

Jurors: Jurors: Cody, Dan, Paolo

Acts advancing to our Readers/Fans Poll:

1. Hard Proof (Afrobeat) – 8.17 (out of 10)

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2. Madisons (Folk/Americana) - 7.5

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3. The Cover Letter (Alt Folk) - 7.5

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4. Jackie Venson (Blues Rock) - 7.33

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5. Tennessee Stiffs (Alt Folk) - 7.33

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6. COSMS (Post Rock) - 7.17

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7. Molybden (Folk/Americana) - 7.17

Honorable Mentions (ranked above 6.5):

Bazile, SIGNY, Booher, Paula Maya, Steady Legend, Wildcat Apollo, Indoor Creature

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WHAT’S NEXT: These results end the first phase of the poll. We will soon unveil the artists nominated by our local jurors, and then let our readers and our writers influence the poll with their vote.

Keep creating, keep supporting, and stay tuned for your chance to vote!

—The Deli Austin Staff

Wow! We got almost twice as many submissions this year as we did last year. Thanks to everyone who helped spread the word and give bands a chance to have their music heard by critics all over the country. After tallying the votes for the Open Submissions stage of our Austin Year End Poll, it's time to release the results.

Please note that no editor was allowed to vote for bands in their own scene. The editors that voted on the Austin scene were: Q.D. Tran (Deli Philadelphia), Jordannah Elizabeth (Deli San Francisco), and Paolo De Gregorio (Deli NYC, Editor-In-Chief).

Acts advancing to our Readers/Fans Poll with a ranking above 6.5:

1. Criminal Birds (Indie Rock) - 7.3
2. Emily Wolfe (Songwriters) - 7.2
3. The Vliets (Psych Rock) - 7.2
4. Growl (Indie Pop/Rock) - 7
5. Hikes (Folk Pop) - 6.8
6. Danny Malone (Songwriters) - 6.8
7. Language Room (Alt Rock) - 6.6
8. Foe Destroyer (Garage Pop/Rock) - 6.6
9. Milezo (Psych Pop/Rock) - 6.6

Honorable Mentions (ranked above 6.0):

Calliope Musicals (Psych Pop/Rock) - 6.3
Lake Lady and the Mountain Man (Soul/Indie Pop) - 6.3
Paula Maya (World Music) - 6.3
Anya (Hip Hop) - 6.2

Total submissions from the Austin Scene: 43

WHAT'S NEXT: These results end the first phase of the poll. In the next few days we'll unveil the artists nominated by our local jurors (mostly venue promoters and other industry people who know the Austin scene insode out), and we'll let our readers and writers influence the poll with their vote.

Thanks to all the acts who submitted to us. Our open submissions pool was truly a celebration of the diversity and richness of Austin's talent. Keep creating, keep supporting and stay tuned for your chance to vote!

The Deli Staff