Fly Golden Eagle

Weekend Workout: Killer shows tonight (03.20) at Soft Junk and East Room

If you just so happen to be at the narrow crossroads of "training for a marathon" and "working on my PBR shotgunning speed," then boy do we have a game plan for you.

You're gonna want to start out at Soft Junk, where Fly Golden Eagle is kicking things up at 7:30. They're playing a stacked bill with solo sets from Peter Stringer-Hye and Joey Plunkett (of Promised Land Sound and JP5, respectively), with Lionlimb rounding the night out. Hang out there and take full advantage of that BYOB designation until about 9, when you'll need to start checking in with your pals who couldn't be assed to leave their apartments for the early show and instead skipped right to the Cold Lunch Recordings-produced show over at The East Room. That's where you'll be able to indulge in some delicious 60's fetishism with The Jag, Crease Reader, and Lasso Spells. From there it's up to you to play it by ear, but the whole jaunt between the two is only 0.6 miles and I know there's at least one little booze stop between the two to keep you stocked with the vitamins you need. 

What we're looking at is basically a de facto locals-only Gallatin Ave music fest tonight, so check it out and say 'sup to the buddies you almost definitely have in one or more of the bands involved. -Austin Phy

   

Show Review: Fly Golden Eagle at Queen Art Collective 11.15

October 14th marked the release of Fly Golden Eagle's "Quartz," a 26-track odyssey inspired by 1973 art-flick "Holy Mountain." A month later, after an LA release and an epic fall tour they brought it home to Nashville. The Deli caught the last show in a weekend full of performances, a stacked lineup including Faux Ferocious, Chrome Pony, and Clear Plastic Masks put on at Meth Dad HQ Queen Art Collective. Read more about the evening by clicking HERE, and listen to the scaled-down, stand-alone accompanying Fly Golden Eagle release "Quartz Bijou" below.

   

Fly Golden Eagle Release "Quartz Bijou"

Fly Golden Eagle released sophomore album "Quartz Bijou" today. It serves as a porthole to their broader, 26-track concept album "Quartz," a psychedelic opus inspired by "The Holy Mountain," a 1973 avant-garde film by Alejandro Jodorowsky that inspired frontman Ben Trimble to create an album that would accompany up to the storyline. "Quartz Bijou" is a condensed version of the concept that stands alone in its own right, an invitation to move in closer and get lost in Fly Golden Eagle's messy, visceral psych-rock microcosm. The quartet is on the road with J. Roddy Walston at the moment, culminating with two Nashville shows: a free screening of "The Holy Mountain" synched with "Quartz" at The Stone Fox on November 14th, and a show with Clear Plastic Masks, Paperhead, and Chrome Pony at Queen's Art Collective on November 15th. -Terra James-Jura

 

   

Meijin's SXSW day 1: White Denim, Bear Hands, The Strange Boys + More

The first day of SXSW 2012 started off drowsy and jet-lagged but was invigorated and perked up by the sights and sounds of downtown Austin. Dismounting the R&R Shuttle Bus, I scouted a few parties and giveaways, including the Vintage Clothing Arcade, where Dubstep shook the walls of the room housing threads from the 60s-80s, before heading to the JanSport Party at Mohawk. Kicking off the day, Nashville’s Fly Golden Eagle got the groove going with a seductive mix of R&B, reggae, and pop-rock. Next, Brooklyn’s pride and joy, Bear Hands synthesizer-driven, punky rock brought the venue to capacity, and Austin-based Strange Boys channeled the country side of the city. Closing the afternoon, Austin’s White Denim (pictured) left the audience in awe with seemingly impossible rhythmic shifts, vibrant stage presence, and radiating energy. A quick Tex-Mex break transitioned me into the evening entertainment. I headed to Friends Bar for the annual Oklahoma City showcase for country/punk rockers, Black Canyon, and folksy pop-rock four-piece, Mont Lyons. My consistently noted act and perfect closer, The Pretty Black Chains, who, although have shrunken from a quartet to a trio, have not lose an ounce of power in their heavy retro rock and tight knit sound. A good day of music set the bar high for the rest of the week. –Meijin Bruttomesso